Inside Television 542
Publication Date: 2-25-11
By: Hubert O'Hearn
Many, if not all, readers of this column are aware that for roughly a decade my passion was live theatre. Ran my own company, put on some great shows, and eventually started selling out the joint when we started doing comedy melodramas every summer. Eventually you put away the toys. But the juice of it, the real satisfaction, was always in the training of the actors. They might have been 10 or 15 year-old's in children's theatre, or 50 year-old men drafted into a part that required a 50 year-old man,a nd all those in between. There would always come that moment - that Aha! moment (no, not 'Take On Me') where in rehearsal you would see it click. Literally. You could see their eyes grow bright with energy yet calm all at once. they understood this strange acting beast and felt they could break it, saddle it and ride with it.
No, not that Aha! moment |
But as Elia Kazan and Lee Strasberg and probably that guy in the office who reads 'The New Yorker' all knew is that you can teach someone well enough to be serviceable, even very good, but you can't teach charisma.
Last Monday night, I saw the perfect combination of technique and charisma and I invite anyone interested in acting as a career. Find it, watch it, and read this commentary. I was tempted to leave the precise clip until the end, because you may have a knee-jerk reaction against it. Tough. You can find it on YouTube by searching, yes, The Rock returns 2011.
Dwayne Johnson aka The Rock has made himself a nice living in Hollywood. In a strange way, he is having Elvis's movie career with muscles instead of music. Both men usually exceeded their material and in neither case have the movie studios ever truly supplied a script that brought out the best in Elvis Presley or Dwayne Johnson. But watch how Johnson, returning as The Rock to WWE television for the first time in seven years, handles the moment. He is alone with a microphone. In wrestling the term is The Rock was doing a promo.
His entrance is announced with his classic ring music. This gives the audience the energy that The Rock will use. He stands, he doesn't rush or wave. He looks and absorbs. He does not become overwhelmed by the explosive reaction of the crowd; neither does he oppose it. He equals it by looking at it carefully, eye meeting eye although his are behind sunglasses - an actor knows the value of his props. But in the moment he has established communication to the audience as an equal force. And that is what an actor must communicate - you're talking to the other actor on stage, but you're communicating with the audience.
He takes his time. The Rock feels the audience even after he starts to speak. His timing is such that he neither interrupts them, nor do they interrupt him. He uses his body with economy, but always every muscle and sinew ready to launch from the starting gates. And when he finally does express appreciation for the warm welcome home, he is as sincere as baptismal water sprinkled over a well-loved infant.
This is acting, dear friends. And as this business and all arts are eventually somehow about money, I'm willing to wager that The Rock's return as the host of Wrestlemania on April 3 will pop 100,000 pay-per-view buys. At $54.95 each, there is almost $5.5 million in gross revenues for WWE, less The Rock's fee which will likely be in seven figures. Acting can pay, and the stage doesn't have to be Broadway or Stratford. It can be a hockey arena with a ring it.
Be seeing you.